Italian premiere in the presence of the director and Mike D., music supervisor
Jean-Michel Basquiat. The Radiant Child
by Tamra Davis, Stati Uniti 2010, 90’
Chine: empire de l’art?
by Emma Tassy e Sheng Zhimin, Francia, 2009, 52’
7.00 pm
ARTIST’S FILMS
Italian premiere in the presence of the artist
marxism today (prologue)
by Phil Collins, 2010, 35’
8.00 pm
ARTIST’S FILMS
Italian premiere in the presence of the artist
The Anarchist Banker
by Jan Peter Hammer, 2010, 29’
9.00 pm
Italian premiere in the presence of the director
Waste Land
by Lucy Walker, Regno Unito/Brasile, 2010, 98’
Italian premiere
Antony Gormley and the 4th Plinth
by John Wyver, Regno Unito, 2009, 48’
7.00 pm
Oscar Niemeyer. A vida è um sopro
by Fabiano Maciel, Brasile, 2006, 52’
8.00 pm
ARTIST’S FILMS
In the presence of the artists
Lobbyists
by Libia Castro & Ólafur Ólafsson, 2009, 19’
9.00 pm
In the presence of the director
The Woodmans
by C. Scott Willis, Stati Uniti, 2010, 82’
10.45 pm
Les vies possibles de Christian Boltanski
by Heinz Peter Schwerfel, Francia/Germania, 2009, 52’
Italian premiere
Maria De Los Angeles
by Shoja Azari, Stati Uniti, 2003, 57’
7.00 pm
ARTIST’S FILMS
In connection Skype with the artist
Episode 3 – Enjoy Poverty
by Renzo Martens, 2008, colore, 90’
9.00 pm
Announcement of the winner of LO SCHERMO DELL’ARTE FILM FESTIVAL PRIZE for the production of a video made by a young Italian artist.
Sponsored by FST Mediateca Toscana Film Commission in collaboration with “Toscana in contemporanea 2010”
9.30 pm
Italian premiere in the presence of the director
Andreas Gursky. Long Shot Close Up
by Jan Schmidt-Garre, Germania, 2009, 60’
10.45 pm
Italian premiere
Olafur Eliasson. Space Is Process
by Henrik Lundø & Jacob Jørgensen, Danimarca, 2009, 52’
Museo Marino Marini Mercoledì
Wednesday, November 24, 2010, 10:30 am
Panel discussion / The Documentary in Contemporary Art Practice
In response to 21st century changes, artists have shown an increasing interest in art’s documentary possibilities. Cinema is thus used as the perfect narrative instrument to understand, narrate and communicate political and social events to which they bear witness.
The participants: Bettina Steinbrügge, author of the book The Need to Document (Zurich, 2005, with Vit Havranek and Sabine Schaschl-Cooper), the artists Phil Collins, Jan-Peter Hammer and Libia Castro & Ólafur Ólafsson. Conducted by Silvia Lucchesi.
SPONSOR
Lo schermo dell’arte Film Festival 2010
