In Vedo rosso the images are barely there: the screen is filled with a pulsating red that, for just a few moments, is interrupted by the appearance of an eye. The negation of images suggests the “impossibility” of telling this story: the red is created by a finger blocking the cell phone camera. The eyes that fleetingly appear come from video portraits of Syrian refugee women that Paci filmed in 2018 in Beirut. An original text written and performed by playwright and actress Daria Deflorian provides the narrative structure: the power of storytelling turns the absence of images into a dramatic space of listening that captures the audience, conveying the complexities and contradictions of abuse and the entangling nature of certain relationships.