Strange Vision of Seeing Things
by Ryan Ferko, 2016, 4'16'
Courtesy of the artist

Presented at VISIO. European Identities. New Geographies in Artists’ Film and Video (2018) 
The film takes place in a post-Yugoslav Serbia, in the empty lobby of a dismissed industrial conglomerate’s headquarter in Belgrade. 1999 NATO bombings are narrated through the memories of a man and the visit of a mother and her young son to the ruins left by that military campaign. During the narration of the film high definition images become confuse in order to reveal the unclear flow of the history.
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