Thinking Beyond
Moving Images for a Post-Pandemic World

EXHIBITION
in occasion of Lo schermo dell'arte 2021

a curated by Leonardo Bigazzi
produced by Lo schermo dell’arte and NAM – Not A Museum

The capacity of the venue has been reduced in order to assure to the public the fruition of the events in complete safety

Mine is an apocalyptic vision. But if alongside it and the anguish that produces it, there were not also an element of optimism in me, that is, the thought that it is possible to fight against all this, I would simply not be here, among you, talking. 
Pier Paolo Pasolini

The global crisis caused by the COVID-19 pandemic has highlighted not only the fragility of the human community, but also its extraordinary resilience. During the months we were forced into isolation, our only window to the outside world was often the screen of a digital device. By drastically slowing down the pace of our lives, we turned our gaze towards ourselves, rediscovering values ​​and rituals that we had forgotten. Today, however, we struggle to understand how to set the post-pandemic future on a more sustainable basis, and the sense of disorientation in this transition period still remains very strong. In a society that is increasingly polarized and divided by constant conflicts, it seems even more urgent to overcome the widespread fear and lack of trust that amplifies anxiety and uncertainty.

Thinking Beyond – Moving Images for a Post-Pandemic World intends to celebrate the transformative power of art and the ability of artists to read tragic and traumatic circumstances as generative opportunities. What role can art play in the process of searching for new points of reference? How do artists contribute to the construction of a collective narrative capable of imagining new alliances and alternative models? What reflections are possible and necessary today to investigate reality without giving in to the dominant pessimism? The exhibition features ten films, videos and installations by artists who, often starting from the intimate and personal dimension of their own lives, address some of the fundamental issues of our time such as gender identity, the value of diversity, the dynamics of conflict, the precariousness of existence and the relationship with death.

Thinking Beyond – Moving Images for a Post-Pandemic World is the second in a cycle of exhibitions that began in 2020 with Resisting the Trouble – Moving Images in Times of Crisis. The whole cycle aims to reflect on the ways in which artists relate to the complexity of the present day, going beyond established canons and models and imagining new possible worlds. For this exhibition it was decided to use almost exclusively pre-existing structures and recycled materials that can be reused while minimizing disposal. Today this is an essential choice that goes in the direction of greater sustainability of the exhibition process, both in economic and ecological terms. 

The exhibition brings together the work of ten artists under 35 who participated in the ninth edition of VISIO. European Programme on Artists’ Moving Images, a project promoted and produced by Lo schermo dell’arte. Participants were selected from an international open call, and thus far 127 artists based in Europe have participated in the program. Thinking Beyond – Moving Images for a Post-Pandemic World continues the research path of Lo schermo dell’arte on the artistic practice of artists under 35, which began with six previous exhibitions organized at Manifattura Tabacchi (2020/2021); Palazzo Strozzi (2019 and 2015); Le Murate PAC (2018); Palazzo Medici Riccardi (2017); and Cinema La Compagnia (2016).

Artists: Nelson Bourrec Carter, Alexandre Erre, PHILTH HAUS, Roman Khimei and Yarema Malashchuk, ChongYan Liu, Eleonora Luccarini, Thuy-Han Nguyen-Chi, Eoghan Ryan, VEGA, Janaina Wagner.

VISIO Young Talent Acquisition Prize 7th Edition is assigned by Seven Gravity Collection to Roman Khimei and Yarema Malashchuk for the work Dedicated to the youth of the world II (2019):
Since early 2020, we have been living times different from any other. VISIO’s slogan, “Moving Images for a Post-Pandemic World,” embodies both the scars we have accumulated and the hope for the future. We went through a long dark tunnel, from which we came out as a dispersed and exhausted community. We realized we were still alive no matter what happened. In this conceptual framework, we have decided to award the VISIO Young Talent Acquisition Prize to Roman Khimei and Yarema Malashchuk, whose work deeply impressed us for its evocative memories of a past of hopes, desires, illusions, combined with the crude awakening from the trance of a dance floor, and for its metaphorical portrait of the pandemic world and the exit from its tunnel.

Works

Levittown

by Nelson Bourrec Carter, 13′, 2K, 2018. Courtesy of the artist.

The feeling of nostalgia

by Alexandre Erre, 7’33’’, 2019. Courtesy of the artist.

SYLLA ISDIY

by ​​PHILTH HAUS, 7’3”, 2021. Three channel video installation, perfume. Courtesy of the artist.

Dedicated to the youth of the world II

by Roman Khimei and Yarema Malashchuk, 8’49’’, 2019. Courtesy of the artist

19

by ChongYan Liu, 6’56’’, 2018. Courtesy of the artist 

Just 1 poem

by Eleonora Luccarini, 7’26’’, 2021. Courtesy of the artist.

What My Eyes Behold is Simultaneous

by Thuy-Han Nguyen-Chi, 23’36’’, 2019, Two channel video installation, table and ping pong rackets, mirror. Courtesy of the artist.

A Sod State

by Eoghan Ryan, UHD video, 22’4’’, 2021. Courtesy of the artist.

Florilegio

by VEGA, 2021, 9’40”. Courtesy of the artist.

Sailors Dogs

by Janaina Wagner, 7’, 2020. Courtesy of the artist.

VISIO. European Programme on Artists’ Moving Images – X edition

curated by
Leonardo Bigazzi

promoted and organised by
Lo schermo dell’arte

in collaboration with
NAM – Not A Museum, Manifattura Tabacchi’s contemporary art programme

with the contribution of
MIC – Direzione generale Cinema e audiovisivo
Regione Toscana

with the patronage of
Comune di Firenze

with the support of
Fondazione CR Firenze | with the contribution of Intesa Sanpaolo
Fondazione Sistema Toscana | Cinema La Compagnia
Manifattura Tabacchi
Ambasciata e Consolato Generale del Regno dei Paesi Bassi
Forum Austriaco di Cultura Roma

in collaboration with
Fondazione In Between Art Film
MYmovies
Accademia di Belle Arti di Firenze
Seven Gravity Collection

Main Sponsor
Gucci

Sponsor
B&C Speakers
Findomestic
Unicoop Firenze
Treedom

Media Partner
Flash Art

The selection of the participants was realised in partnership with

  • Accademia di Belle Arti di Brera
  • Accademia di Belle Arti di Firenze
  • Art House (Scutari)
  • AV-arkki – The Centre for Finnish Media Art (Helsinki)
  • Careof (Milan)
  • Centro de Residencias Artísticas, Matadero Madrid
  • Cité internationale des arts (Paris)
  • De Ateliers (Amsterdam)
  • Gerrit Rietveld Academie (Amsterdam)
  • La Casa Encendida (Madrid)
  • Le Fresnoy-Studio national des arts contemporains (Tourcoing)
  • Rijksakademie van beeldende kunsten (Amsterdam)
  • Royal College of Art (London)
  • Royal Institute of Art (Stockholm)
  • Städelschule (Frankfurt)
  • Universität der Künste Berlin
  • Vilnius Academy of Arts
  • WIELS, Contemporary Art Centre (Brussells)

VIsio
LE MOSTRE

VISIO. DIRECTING THE REAL
Artists’ Film and Video in the 2010s

EXHIBITION
in occasion of Schermo dell'arte 2017

curated by Leonardo Bigazzi
promoted and organized by Schermo dell’arte Film Festival

The use of moving images has taken an increasingly central role in contemporary art practice. Curated by Leonardo Bigazzi, Directing the Real. Artists’ Film and Video in the 2010s, brings together works by nineteen international artists who work with moving images. This generation of artists, born after 1980, operates at a time when confrontation with the “real” and its representation often become necessary and inevitable. Our experience of the world around us is however more and more mediated and altered by screens and electronic technologies, to the point that the borderline between real and virtual can be blurred.

How do artists respond today to a globalized society where images and information are so often built and manipulated to alter reality? And how the technological revolutions of recent years, and the speed with which these images are shared and consumed, have influenced their (and our) outlook on the world? How to represent a world ever more ruled by economic interests, divided by wars and social injustice, and where the relation between man and environment is reaching a critical point? In such a context which is the role and the potential of art and of the exhibition space as physical place for reflecting and sharing?

This exhibition aims to offer an overview on the production by a generation of artists who have made some of these questions the central theme of their research.
The transition from analog to digital and the acceleration of the internet and new media are deeply influencing video language by generating aesthetic and formal choices that are now recognizable in their works. The exhibition at the Galleria delle Carrozze in the Palazzo Medici Riccardi includes videos, films and video installations that represent the variety of media and formats used in contemporary video practice.

With this exhibition Lo schermo dell’arte continues its commitment, which has characterized its ten years of activity, aimed at the promotion and production of works by a new generation of visual artists working with moving images. All the selected artists have participated, or participate this year for the first time, to the two most important projects that the Festival has dedicated in the last year to the young artists: VISIO. European Programme on Artists’ Moving Images (2012-2017) and the Premio Lo schermo dell’arte Film Festival (2010 – 2013).

Artists: Basma Alsharif, Bianca Baldi, Danilo Correale, Justine Emard, Alessandra Ferrini, Sirah Foighel Brutmann and Eitan Efrat, Louis Henderson, Jonna Kina, Graham Kelly, Daisuke Kosugi, Basir Mahmood, Diego Marcon, Rebecca Moss, Arash Nassiri, Janis Rafa, Emilija Skarnulytë, Patrik Thomas, Emmanuel Van Der Auwera, Driant Zeneli.

VISIO Young Talent Acquisition Prize III Edition is assigned by Seven Gravity Collection to Basir Mahmood for the work Monument of Arrival and Return (2016):
For the technical quality and for the direct and involving aesthetic impact of the tableau vivants that are present in the narration. We have been very fascinated by this work for the different reading layers. On one hand historical, anthropological, and to the other conceptual, but also for its complexity and beautiful that it is overwhelming and engaging.

Works

Co(AI)xistence

by Justine Emard, 2017, 12’. Commissioned for Clouds ‹-› Forests, 7th Moscow International Biennale of Contemporary Art. With the support of Hors les murs residency program of Institut Français, Paris & the prize “Brouillon d’un rêve, Pierre Schaeffer”, SCAM, Paris

Untitled (head falling 01)

by Diego Marcon, 2015, 10’’ loop. Courtesy the artists and Ermes-Ermes

A certain Amount of Clarity

by Emmanuel Van der Auwera, 2013, 30’. Courtesy Harlan Levey Projects and the artists

Secret words and related stories

by Jonna Kina, 2016, 20’12’’ Courtesy the artist

Hello Joe

by Graham Kelly, 2017, 19’08’’ Courtesy the artist

Sentient to sentient

by Daisuke Kosugi, 2016, 10’. Courtesy the artist

WInter Came Early

by Janis Rafa, 2015, 3’, video 2K. Courtesy the artist and Martin van Zomeren Gallery

Zero Latitude

by Bianca Baldi, 2014, 9’30’’ loop Courtesy the artist

Hotel Desterro

by Patrick Thomas, 2014, 45’. Courtesy the artist

Orientation

by Sirah Foighel Brutmann and Eitan Efrat, 2015, 12’. Courtesy the artists

All that is solid

by Louis Henderson, 2014, 15’40” Courtesy the artist

Equivalent Units

by Danilo Correale, 2017, 19’ Courtesy the artist

Radio Ghetto Relay

by Alessandra Ferrini. 2016, 15’24’’. Courtesy the artist

It would not be possible to leave planet Earth unless gravity existed

by Driant Zeneli, 2017, 13’41’’. Courtesy the artist, MAM Foundation Tirana and Prometeo Gallery di Ida Pisani,Milano/Lucca

City of Tales

by Arash Nassiri, 2017, 21’51’’. Produced by Jonas Films | foto Anne-Line Desrous- seaux | with the support of Han Nefkens Foundation, Fonds National des Arts Graphiques et Plastiques, CNAP Image/Mouvement. Courtesy the artist

Sirenomelia

by Emilija Škarnulytë, 2017, 12’. Courtesy the artist

Monument of arrival and return

by Basir Mahmood, 2016, 9’36’’. Courtesy the artist

International Waters

by Rebecca Moss, 2017, 20’. Courtesy the artist and Access Gallery

Deep Sleep

by Basma Alsharif, 2014, 12’45’’. Courtesy the artist and Galerie Imane Farès

visio
exhibitions

VISIO. EUROPEAN IDENTITIES
New Geographies in Artists’ Film and Video

EXHIBITION
In occasion of Lo schermo dell'arte 2018

curated by Leonardo Bigazzi
promoted and organised by Lo schermo dell’arte in collaboration with Le Murate. Progetti Arte Contemporanea, FST- Mediateca Regionale Toscana

Opening: Tuesday, November 13 at 6:00 pm 

This year VISIO presents a new exhibition project, European Identities. New Geographies in Artists’ Film and Video in the space of Le Murate. Progetti Arte Contemporanea, a monumental complex that was a men’s prison until 1984. Recently restored by the City Council in order to host exhibition and research projects, the building maintains the structure of the 19th Century prison, including maximum security and isolation cells. European Identities. New Geographies in Artists’ Film and Video brings together video, films and video installations that represent the variety of media and formats adopted by contemporary video practice, while reflecting on the interaction of video formats and the exhibition context.
The exhibition shows 12 video works by participants in the VISIO programme, to give insight into the variety of different cultures and nationalities of artists under 35 working in Europe today. Their works are the expression of a new European artistic identity, strongly fostered and shaped by an unprecedented transnational mobility, yet often revealing a fragile and precarious dimension. Cities like Amsterdam and Berlin developed well- established communities of artists working with moving images thanks to funds for production and opportunities for study and residence. An open and international system that growing populist and sovranist movements in Europe might affect. The exhibition also intends to critically reflect on the limits of a European context, still too dependent on the financial capacities and the nationalities of the artists. With this exhibition, Lo schermo dell’arte continues the strong commitment which has characterized its eleven years of activity, aimed at the promotion and production of works by a new generation of visual artists working with moving images in Europe.
This exhibition is in continuity to the previous ones held in Florence at Palazzo Strozzi (2015), Cinema La Compagnia (2016), Palazzo Medici Riccardi (2017), and in France at Passerelle Centre d’art contemporain, Brest (2018).
The exhibition is produced and organised by Lo schermo dell’arte Film Festival in collaboration with Le Murate. Progetti Arte Contemporanea, FST- Mediateca Regionale Toscana.

Artists: Tekla Aslanishvili, Vincent Ceraudo, Alice dos Reis, Ryan Ferko, Riccardo Giacconi, Vanessa Gravenor, Margaret Haines, Alyona Larionova, Lukas Marxt, Martina Melilli,Michał Soja e Róża Duda, Katja Verheul.

VISIO Young Talent Acquisition Prize IV Edition is assigned by Seven Gravity Collection to Alice dos Reis for the work Mood Keep (2018):
Our choice is a video that was able to explore the potential of images with simple and effective solutions. A work that has condensed our relationship with images and with time as philosophical categories. What struck us about this project was its ability to reflect speculatively on these issues and his invitation to reflect on the future through new associations in which the only way forward is to accept the bizarre as a possibility.

 

Works

Algorithmic Island

by Tekla Aslanishvili, 2018, 13’, AVCHD Digital Film. Courtesy the artist

Hostiles Sites - Part 2

by Katja Verheul, 2017, 7’40’’. Courtesy the artist

Strange Vision of Seeing Things

by Ryan Kerko, 2016, 14’16’’. Courtesy the artist

You Face God and the Camera at the Same Time

by  Margaret Haines, 2016-2017, 10’37’’. Courtesy the artist

Staying with trouble

by Alyona Larionova, 2018, 14’5’’, HD video e CGI (Computer Generated Imagery). Courtesy the artist

Entrelazado

by Riccardo Giacconi, 2015, 36’58’’. Courtesy the artist

Mood Keep

by Alice Dos Reis, 2018, 13’51’’. Courtesy the artist

Untitled

by Michal Soja and Róza Duda, 2016, 3’4’’. Courtesy the artists

Imperial Valley (cultivated run-off)

by Lukas Marxt, 2018, 13’58’’. Courtesy the artist

Mum, I am sorry

by Martina Melilli, 2017, 16’56’’. Courtesy the artist

Paris City Ghost

by Vincent Ceraudo, 2015, 5’55’’, video 4K HD. Courtesy the artist

Me/My Bullet

by Vanessa Gravenor, 2016, 3’22’’, CGI rendering realised by Hiba Ali. Courtesy the artist

visio
exhibitions

VISIO. Moving Images
After Post-Internet

EXHIBITION
in occasion of Lo schermo dell'arte 2019

curated by Leonardo Bigazzi
promoted and organised by Fondazione Palazzo Strozzi and Lo schermo dell’arte

Opening: Tuesday, November 12 at 6:00 pm

Four years after its first exhibition, Lo schermo dell’arte returns to Palazzo Strozzi with VISIO. Moving Images After Post-Internet. The exhibition presents the works of the twelve artists selected for the 8th edition of VISIO offering an insight into the practice of a generation of artists who, during the years of their education, witnessed the rise of the so-called “Post-Internet condition”. This definition has been adopted since the end of the first decade of 2000 in order to describe art that could no longer avoid to confront the growing hyper-connectivity of the internet, both in conceptual and in production and distribution terms. However, the meaning of the term “Post-Internet” has changed as quickly as the technology it was associated with, becoming obsolete and controversial and being mostly reduced to the often derogatory formal categorisation of a vast number of artworks. During the same years the digital revolution and the acceleration imposed by new media have deeply changed the language of moving images and their exhibition models. The show therefore reflects on these transformations and on the influence they had on this generation of artists, on the legacy of the Post-Internet phenomenon and on the possible reasons of its definitive overcoming.

Artists: Rebecca Jane Arthur, Miguel Azuaga, Patrick Alan Banfield, Enar de Dios Rodríguez, Eva Giolo, Inas Halabi, Polina Kanis, Adam Kaplan, Valentina Knežević, Agnieszka Mastalerz, Jacopo Rinaldi, Igor Simić.

VISIO Young Talent Acquisition Prize V Edition is assigned by Seven Gravity Collection to Patrick Alan Banfield for the work Mein Blick (My View) (2017):
The intensity of the work we have chosen is combined with an aesthetic urgency that technology confirms. Our gaze of the world is probably the most intimate thing, something that cannot be shared with anyone. Hence the challenge of using the medium to open a window on the intimate, on that private gaze that no one besides us can experience.

Works

All World's Memory

by Jacopo Rinaldi, 2015, 6’23’’. Courtesy the artist

Buildups

by Adam Kaplan, 2015, 5’45’’. Video CGI. Courtesy the artist

Mein Blick (My View)

by Patrick Alan Banfield, 2017. Virtual reality installation: video 10’7’’, office chair, Gaming PC, Oculus rift VR headset, punchbag stand. Courtesy the artist

Play Down

by Agnieszka Mastalerz, 2017, 2’27’’. Courtesy Wechta Stallion Station, Polonia

Katharsis

by Miguel Azuaga, 2019, 24’37’’. Three-channel installation video. Courtesy the artist

Gil

by Eva Giolo, 2016, 4’43’’.  Courtesy the artist

Ready-Mades with Interest

by Rebecca Jane Arthur, 2017. Installation: video 25’23’’, slide, publications. Courtesy the artist

Mnemosyne

by Inas Halabi, 2016, 10’47’’. Courtesy the artist. Work commisioned for the Young Artist of the Year Award, AM Qattan Foundation

Waste Land Inc

by Igor Simić, 2018. Videogame, soundtrack, 3 animated videos, neon. Courtesy Demagog Studio, Galerie Anita Beckers

Voiceover

by Valentina Knežević, 2017, 6’35’’. Courtesy the artist

The Pool

by Polina Kanis, 2015, 9’37’’. Courtesy the artist

Fortress Europe

by Enar de Dios Rodríguez, 2018. Installation: video 4’04’’, sticker You Are Here, General Admission tickets, bollards. Courtesy the artist

VISIO – EUROPEAN PROGRAMME ON ARTISTS’ MOVING IMAGES

Promoted and organised by:
Lo schermo dell’arte

In collaboration with:
• Fondazione Palazzo Strozzi 
• FST Mediateca Toscana Film Commission

Receives contributions from:
• Regione Toscana
• Comune di Firenze
• Cinema La Compagnia

project realised within the framework Programma Sensi Contemporanei Toscana per il Cinema and Fondazione Cassa di Risparmio di Firenze

With the support of:
• Fondazione In Between Art Film
• ottod’Ame
• Famiglia Cecchi
• B&C Speakers
• Mercato Centrale
• Golden View Firenze

visio
exhibitions

VISIO. Next Generation
Moving Images

La mostra VISIO. Next Generation Moving Images presenta 12 opere video, una per ciascun artista partecipante alla IV edizione di VISIO, proponendo uno sguardo sulla produzione di film e video di una nuova generazione di artisti in Europa.

Continue reading

VISIO. RESISTING THE TROUBLE
Moving Images in Times of Crisis

EXHIBITION
in occasion of Lo schermo dell'arte 2020

curated by Leonardo Bigazzi
produced by Lo schermo dell’arte and NAM – Not A Museum

The capacity of the venue has been reduced in order to assure to the public the fruition of the events in complete safety

“Any construction of new alternatives or potential worlds can only begin by its creative imagination” T.J. Demos

The ecological balance of our planet is becoming ever more fragile and compromised. The health emergency of COVID-19 is simply a more obvious consequence of a global crisis that has developed in environmental, social, political, and economic spheres. The pandemic has made us more aware of the fragility of our biological existence, undermining our sense of community, and magnifying our fear of everything that is Other. In the past year, electronic devices have been more indispensable than ever before in keeping us connected. However, at the same time they have become the primary transmitters of an uncontrolled flow of images and information which has profoundly altered our perception of reality. Our everyday lives have been disrupted, and freedoms and privileges that we had taken for granted have been progressively lost or limited. This condition has accentuated and made more obvious economic and social inequalities, making them more and more intolerable, and rage has transformed into widespread revolt and protest. The need to rethink the capitalist model, and our relationship with the environment and the other species which inhabit the planet, now seems to be the only possibility for avoiding the risk of an imminent ecological catastrophe.

The exhibit presents twelve films, videos, and installations which reflect on some of the most urgent questions generated by the current worldwide crisis, and propose alternative visions that rethink the present and imagine the future. During lockdown, moving images, more than any other artistic medium, showed their intrinsic capacity to overcome the limitations of the exhibition space, by taking advantage of new technologies at our disposal. In this context of uncertainty and precariousness, can art represent a tool of resistance to combat the alienation and isolation that we are subject to? How can we avoid a dystopian future, in which physical relationships are at risk of being entirely relegated to the digital dimension? In what way can we regain an active role in the process of change, basing it on the values of diversity, respect, and solidarity? The exhibit asks questions about the possibility of imagining inclusive models of coexistence that could succeed in dismantling existing power structures, and overcome the consolidated canons and stereotypes linked to competition and exploitation among living beings.

Resisting the Trouble – Moving Images in Times of Crisis brings together the work of twelve artists under age 35 who participated in the ninth edition of VISIO. European Programme on Artists’ Moving Images, a project promoted and produced by Lo schermo dell’arte Film Festival. Participants were selected from an international open call, and thus far 100 artists based in Europe have participated in the program. Resisting the Trouble – Moving Images in Times of Crisis continues the research path of Lo schermo dell’arte on the artistic practice of artists under 35, which began with five previous exhibitions organized at Palazzo Strozzi (2019 and 2015); Le Murate PAC (2018); Palazzo Medici Riccardi (2017); and Cinema La Compagnia (2016).

Artists: Jonas Brinker, Claudia Claremi, Helen Anna Flanagan, Valentina Furian, Megan-Leigh Heilig, Marcin Liminowicz, Edson Luli, Olena Newkryta, Ghita Skali, Peter Spanjer, Emilia Tapprest, Tora Wallander.

VISIO Young Talent Acquisition Prize VI Edition is assigned by Seven Gravity Collection to Helen Anna Flanagan for the work Gestures of Collapse (2019):
We know that human action and the collective unconscious are impacted by what media direct towards our consciences. The pandemic in progress is spreading in bodies by physical contagion, while it spreads in minds and souls by the most different ways, from word of mouth to official communications, in a great multiform narrative whose effect will be seen on the individual and collective psyche in the future. The work we choose deals with this theme with great expressive confidence and at the same time with irony.

Works

55

by Valentina Furian, 2019, 1’53’’. Two channel video installation. Courtesy the artist

Standing Still

by Jonas Brinker, 2019, 4’ 28’’. Produced by Frankfurter Kunstverein. Courtesy the artist

In Landscape Mode

by Marcin Liminowicz, 2018, 7’17’’. Two channel video installation, 2018. Courtesy the artist

La Memoria de las Frutas

by Claudia Claremi, 2016. Installation: video 16mm 4’23’’, overhead projectors, texts. Courtesy the artist

Do we need this?

by Edson Luli, 2017. Installation: projector, digital TV decoder / mini PC. Courtesy the artist and Prometeo Gallery Ida Pisani, Milan – Lucca

Gestures of Collapse

by Helen Anna Flanagan, 2019, 11’7’’. Courtesy the artist

Sonzai Zone

by Emilia Tapprest (NVISIBLE.STUDIO), 2019, 22’56’’. Courtesy the artist

Make me Safe

by Peter Spanjer, 2020, 7’. Courtesy the artist

The Politics of Choice and the Possibility of Leaving

by Megan-Leigh Heilig, 2019, 15’. Courtesy the artist

The Hole’s Journey

by Ghita Skali, 2020, 16’13”. Courtesy the artist

Soft resistance

by Tora Wallander, 2018, loop sequence. Video installation. Courtesy the artist

To Hand. A Projection For The Palm

by Olena Newkryta, 2017, 7’47’’. Courtesy the artist

VISIO – EUROPEAN PROGRAMME ON ARTISTS’ MOVING IMAGES

Promoted and organised by:
Lo schermo dell’arte

In collaboration with:
NAM – Not A Museum

Receives contributions from:
• MIBACT – Direzione generale Cinema e audiovisivo
• Regione Toscana
• Comune di Firenze
• Fondazione CR Firenze
• Cinema La Compagnia
• Manifattura Tabacchi

In collaboration with:
• Fondazione In Between Art Film
• MYmovies


Main sponsor:
• Gucci

Media Partner:
• Flash Art

VIsio
EXHIBITIONS